Works of art that involve pixilated objects/images:
- Georges Seurat, A Sunday Afternoon on the Island of La Grande Jatte - 1884 (1884-6): Seurat served as one of the preeminent pioneers of the shading and coloring technique known as "pointalism" in which values consist of dots of various hues that the eye blends into a whole image, much the same way that pixils do today.
- Roy Lichtenstein, Ohhh...Alright... (1964): Lichtenstein is most known for his iconic paintings that resemble comic strips blown to large scale, composed of "Ben-Day" dots used as a cheap coloring technique in commercial printing.
- Eric Daigh, our ideas of value (2011): made entirely of pushpins on cork board.
- Invader (info), Space Invader in Shoreditch (date unknown)
- Chuck Close, Maggie (1996)
- Jaume Plensa, Crown Fountain(2004)
- Paul Chan, My Birds…Trash…The Future (2004)
- Thomas Ruff, Jpeg cc01 (2004)
- Sigmar Polke, Primavera (2003)
- Alex Guofeng Cao, Mao vs. Warhol (2010)
- John F. Simon Jr., Every Icon (1997)
- Jessica Ciocci, Migros Museum Technical Crew (2009)
- Vernon Fisher, Psychic Friends (1998)
- Olivier Heinry, 4400, Homage to Tom Wesselman (2001)
- Daniel Rozin, Wooden Mirror (1999)
- Jodi.org, %Wrong (1998)
- Cory Arcangel, Super Mario Movie (video from catridge hack) (2005)
- eBoy ("Godfathers of Pixel"): a pixel art group founded in 1997 by three Scandinavian guys Kai Vermehr, Steffen Sauerteig and Svend Smital (more info).
- Alex Tew, The Million Dollar Homepage (2005) (more info)
- MrWong's Soup'Partments, World's Tallest Virtual Building (2006)
- Bodo, IconTown (1996-2001)
- the tile machine
- MpP Favicon Gallery
- Aaron Koblin, The Sheep Market (2007), Ten Thousand Cents (2008)
- Kenneth Knowlton and Leon Harmon, Studies in Perception #1 (1966): a series of appropriated images reformulated into pixilated designs via a program that dects value tones. Designed in Bell Labs, NJ and showcased in MoMa's 1968 "Machine" exhibit.